From the tulip dining chairs to the curving sculptures and all the. But even decades after we first set foot on the moon, the cosmos has remained a mainstay of inspiration for a variety of fashion houses. The year 2062 looks strikingly similar to 1962 in terms of decor, but we still love to see the slightly space-age interpretation. Whether it was a chain-mail shift dress, a bulbous helmet or a pair of stark white boots, the sartorial legacy of the ’60s and ‘70s was defined by a space-race exuberance. These weapons underwent momentous development: the fission bombs of 1945 were superseded by the more powerful fusion bombs in 1950, and before 1960 rockets were shown capable of. Likewise, step into the most authentically decorated retro-modern space and you'll be surrounded by pod-like. The years since World War II ended have been spent in the shadow of nuclear weapons, even though they have not been used in war since that time. Watch your favorite sci-fi flick and you'll likely catch a Saarinen Tulip chair or Jacobsen Egg in distant-bound starship control room. These lent incredible textures, shapes, and hues that would pave the way for Space Age and Pop Art. Mid-Century Modern & Science Fiction have always had a harmonious relationship. There was fiberglass, steel, aluminium, foam, and plastic. For fashion designers Paco Rabanne, Pierre Cardin and Thierry Mugler, it became the rocket that launched a thousand looks, as they centered whole collections around an intergalactic vision of the future. With humankind perfectly poised for space came new materials to experiment with. The success of the Apollo 11 mission in 1969 only whetted appetites further.
#SPACE AGE MODERN TV#
Kennedy’s vision of man reaching the moon soon spawned a throng of TV shows and films – including cartoon sitcom “The Jetsons” and the “Star Trek” franchise – all of which looked to cater to America’s newfound interest in space travel. Modern electronic technology and the all-encompassing nature of a spacesuit are also obvious influences, but with the newfound freedom of the miniskirt and. Apollo 11 produced new American idols in Buzz Aldrin, Neil Armstrong and Michael Collins. The anticipation of this next stage of humanity left an indelible impression on culture, too. The same way that these looks are recreations, Space Age style in and of itself is a recreation. The 1960s space race was more than a measure of scientific progress.
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